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This lineup remained intact for the remainder of the band's career. Rush achieved commercial success in the s with Fly by Night , , A Farewell to Kings and Hemispheres Rush continued to record and perform until , after which the band entered a four-year hiatus due to personal tragedies in Peart's life.

Rush ceased touring at the end of , and Lifeson announced in January that the band would not continue. Rush were known for their musicianship, complex compositions and eclectic lyrical motifs drawing heavily on science fiction , fantasy and philosophy.

The band's style changed over the years, from a blues-inspired hard rock beginning, later moving into progressive rock , then a period in the s marked by heavy use of synthesizers, before returning to guitar-driven hard rock at the end of the s.

Their final work from marked a return to progressive rock. The members of Rush have been acknowledged as some of the most proficient players on their respective instruments, with each winning numerous awards in magazine readers' polls over the years. As of , Rush ranks 84th in the U. Rush has been awarded 14 platinum and 3 multi-platinum albums in the US [13] plus 17 platinum albums in Canada.

He suggested Rush, and the group went with it. Jones did not return, so Weinrib became their frontman, adopting the stage name Geddy Lee. Rush rehearsed a set mainly formed of covers by various rock artists, including Cream , Jimi Hendrix , and John Mayall and underwent several lineup configurations that included Lindy Young on keyboards and various instruments, and Mitch Bossi on second guitar.

As Lee recounted years later, "Ray came along. He had no real reputation yet as a manager or anything. He was just kind of an agent working in Toronto. With Lee kicked out of the band, Rutsey recruited new bassist and vocalist Joe Perna. The group of Lifeson, Rutsey, and Perna named themselves Hadrian.

After a disastrous gig with Perna, Rutsey invited Lee back and the group continued as Rush. Then I got a call from John and he said, 'Can we get together? We're sorry. Rush honed their skills with regular gigs, initially touring the Ontario high school circuit. In , the legal drinking age was decreased from 21 to 18, allowing the band to play bars and clubs. Lee said it was at this point that Rush turned "from a basement garage band that played the occasional high school gig to a regular working band playing six days a week.

Released in September, it went to No. In late , Rush performed their first major gig, opening for the New York Dolls in Toronto, and finished putting down tracks for their first album. The initial sessions produced undesirable results over the sound quality, so tracks were recut and remixed with a new engineer, Terry Brown. Lee quickly wrote a fresh set based on earlier versions, which was used on the final takes. The debut album, Rush , was released in March ; the initial pressing of 3, copies quickly sold out.

Most critics considered the album highly derivative of Led Zeppelin. She added " Working Man " to the station's regular playlist and the song's blue-collar theme resonated with hard rock fans in the predominantly working class city.

Following a series of Canadian dates, Rutsey played his last gig with the band on July 25, His preference for more straightforward rock was incompatible with the more complex music that Lifeson and Lee had written, and Lee recalled Rutsey had a general distaste for life as a touring musician.

Lyrical themes also underwent dramatic changes because of Peart's love for fantasy and science-fiction literature. The band followed Fly by Night quickly with Caress of Steel , a five-track album featuring two extended multi-chapter songs, "The Necromancer" and " The Fountain of Lamneth ". Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.

In light of these events, Rush's record label tried to pressure the members into moulding their next album in a more commercially-friendly and accessible fashion; the band ignored the requests and developed their next album with a minute title track divided into seven sections. Despite this, the album was the band's first taste of significant commercial success as it reached No. Released in September of that year, the double LP reached No.

These albums saw the band members expanding the progressive elements in their music. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us. To achieve a broader, more progressive sound, Lifeson began to experiment with classical and twelve-string guitars , and Lee added bass-pedal synthesizers and Minimoog.

Likewise, Peart's percussion became diversified in the form of triangles , glockenspiel , wood blocks, cowbells , timpani , gong , and chimes. Beyond instrument additions, the band kept in stride with the progressive rock trends by continuing to compose long, conceptual songs with science fiction and fantasy overtones. As the new decade approached, Rush gradually began to dispose of its older styles of music in favour of shorter and sometimes softer arrangements, due in part to the band's exhaustion from recording Hemispheres.

The lyrics up to this point were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand , as exhibited most prominently by their song "Anthem" from Fly By Night and a specifically acknowledged derivation in Permanent Waves shifted Rush's style of music with the introduction of reggae and new wave elements.

Because of the limited airplay Rush's previous extended-length songs received, Permanent Waves contained shorter, more radio-friendly songs, such as " The Spirit of Radio " and " Freewill ", which helped the album become Rush's highest charting album to date. Rush toured Permanent Waves for six months through to over , people across 96 shows, becoming their first to make a profit. The band accepted; the song went on, after reworking by Peart, to become " Tom Sawyer ".

Rush's popularity reached its pinnacle with the release of Moving Pictures in early Moving Pictures essentially continued where Permanent Waves left off, extending the trend of accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song. The second single " Limelight " also received a strong response from listeners and radio stations going to No.

Moving Pictures was Rush's last album to feature an extended song, the eleven-minute " The Camera Eye ". The song also contained the band's heaviest usage of synthesizers yet, hinting Rush's music was shifting direction once more.

Moving Pictures became the band's first album to reach No. Stage Left , in The band underwent another stylistic change with the recording of Signals in Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It", featuring collaborator Ben Mink on electric violin.

Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's biggest hit single, "New World Man", while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska , reggae, and funk.

Both singles reached the Top 50 in the UK. Although the band members consciously decided to move in this overall direction, creative differences between the band and long-time producer Terry Brown began to emerge. The band felt dissatisfied with Brown's studio treatment of Signals , while Brown was becoming more uncomfortable with the increased use of synthesizers in the music.

The style and production of Signals were augmented and taken to new heights on Grace Under Pressure It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. He backed out at the last moment, however, much to the ire of Lee, Lifeson and Peart.

Lee said "Steve Lillywhite is really not a man of his word Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced, in response to the minimalist role he played on Signals. It became the highest charter to that date in Sweden No. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work.

While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the mid-to-late s, experimented with processors that reduced his instrument to echoey chord bursts and thin leads.

Power Windows went to No. Hold Your Fire represents both an extension of the guitar style found on Power Windows , and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1. After Rush's departure in , Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles Rush started to deviate from its s style with the albums Presto and Roll the Bones.

Produced by record engineer and musician Rupert Hine , these two albums saw Rush shedding much of its keyboard-saturated sound. Beginning with Presto , the band opted for arrangements notably more guitar-centric than the previous two studio albums. Although synthesizers were still used, the instrument was no longer featured as the centrepiece of Rush's compositions. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated other musical styles such as funk and hip hop in "Roll the Bones" and jazz in the instrumental track " Where's My Thing?

From Roll the Bones , " Dreamline No. The transition from synthesizers to more guitar-oriented and organic instrumentation continued with Counterparts [78] and its follow-up, Test for Echo , both produced in collaboration with Peter Collins. Up to this point, Counterparts [78] and Test for Echo were two of Rush's most guitar-driven albums. The latter album also includes elements of jazz- and swing-style drumming by Peart, that he had learned from drum coach Freddie Gruber during the interim between Counterparts and Test for Echo.

The tour was broken up into two segments spanning October through December and May through July After the conclusion of the Test for Echo tour in , the band entered a five-year hiatus primarily due to personal tragedies in Peart's life. Peart's daughter Selena died in a car crash in August , followed by the death of his wife Jacqueline from cancer in June Peart took a hiatus to mourn and reflect, during which he travelled extensively throughout North America on his BMW motorcycle, covering 88, km 55, mi.

At some point in his journey, Peart decided to return to the band. In the book, he writes of how he had told his bandmates at Selena's funeral, "consider me retired. Mixed by producer Paul Northfield and engineered by Terry Brown, it features recorded performances from the band's Counterparts , Test For Echo , and A Farewell to Kings tours, marking the band's fourth live album. Peart and Nuttall married on September 9, In January , Lee, Lifeson, and Peart came together to see if they could reassemble the band.

According to Peart, "We laid out no parameters, no goals, no limitations, only that we would take a relaxed, civilized approach to the project.

 

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